VIRTUAL BAY ART GALLERY - KAREN BROSNAN All paintings are copyright ©2004 Karen Brosnan. Reproduction of this website in part or in full is prohibited without the artist's permission. Contact Details
“I see my work as an expression of the sanctuary I find in places such as the Hokianga and Golden Bay. If I manage to convey or evoke in the viewer similar feelings or awareness, then I feel a communication has been made.” Karen Brosnan
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Landscape Into Light IV
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Storm Aftermath - Anatori I
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Landscape Into Light III
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Storm Light
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Veil
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Wind Dance Wharariki 1
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Wind Dance Wharariki 2
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Karen Brosnan - Background Right from when I was a young child, I’ve always had a love for art and an attraction towards sky, sea and landform.
Hokianga Harbour Dunes
Growing
up in small town suburbia, I sought refuge in the surrounding countryside
and coastline of Hawkes Bay. Whenever I went to the city, it would
be the galleries and gardens that attracted me.
As a young adult, I moved permanently to the country, spending most of my time in the far north, particularly the Hokianga. My passion for the land and for art was ever present and once my family had grown, with lesser demands on my time, I began to paint seriously.
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Mangrove Estuary
With no formal training, I painted images of the Hokianga’s stunningly beautiful coastline and harbour with flora and fauna common to the area. The marked presence of the sand dunes featured time and time again…
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Nikau Mountains
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Nikau Kereru
Although Hokianga will always hold a strong place in my heart - after a visit to Golden Bay, I became enamoured with the area and excited by the vastly different landscape. The gentleness of the light contrasting with the rocky formations was just one aspect. I began to explore and I imagine I will for some time yet.
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Looking
Through
With this change in location has come a change in the way I approach my work. This is shown in the way I present my images as well as the more prominent use of mixed media, moving away from pure watercolour. This gives me more scope and expression of movement.
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Wharariki
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Wainui 1
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Wainui
2
Prior to the shift, my works were more conceptual. I’d have “the idea” before I started. I was seeing and conveying what I was seeing. Then, on moving south, my style of work began to draw more from an inner focus.
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Another's Vision
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Waterfall 2
I
started preparing everything, getting into a calm, centred, “quiet”
space and allowing to happen whatever would happen.
This way of creating isn’t coming so much from an intellectual space. It’s conveying the emotive resonance of the subject.
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Amorph You can never quite express what one experiences in a meditative space. It filters through your past experiences and your emotions and who you are. So, how can you describe something that no-one else can fully experience – and when half the time, you don’t know what you’re going to do next?
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Amorph 2
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Amorph 3
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Untitled
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Crossed 1
The intent behind my work remains the same. My work is still landscape-influenced – but now it is more about how I feel about the landscape or what the landscape says to me. A “sense” of landscape.
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Wharariki 2
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Landscape Into Light II
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Haven
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Landscape Into Light I
All paintings are copyright ©2004 Karen Brosnan. Reproduction of this website in part or in full is prohibited without the artist's permission.
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Karen Brosnan Phone (+64)
03 525 6161 |
Virtual
Bay Art Gallery Entrance
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